Stories of Paraná - Feature memory

Stories of Paraná - Feature memory

Matter memory
Francisco Camargo

Asa was in the building, on the street regardless of nationality, minimum space, nearly a shop.
Had to exit the gallery, but it was on the front which concentrated the highest incidence of IQ, talent, daring and evil caratismo per square meter that the press Paraná has recorded in its history.
Ali worked to "Last Time", the journal of Samuel Wainer, the newspaper of the communes, as some said. The newspaper watermelon, as they preferred to others: green on the outside, inside Little Red.
The "Ultima Hora" epoch in the Brazilian press and edition of Paraná, the UH / Paraná, could not stay out of this graphics revolution, editorial and administrative.
All compact as the newspaper itself, which made its columns signed (Ceüna Light, Silvio Back, Adherbal Strong and many others) strong information, filled with stories that not infrequently broke the barriers of tolerance in matters of ethics in provincial Curitiba the early '60s. When not bloomed in sensationalism even in irresponsible exaggerations in dictated by the desire to impose "sell newspapers" as a slogan.
At the bottom of the store were the administration, the marketing department, and more than tight, photo lab.
Climbing the ladder, the Serpentarium.
Or den, as would prefer the extreme right.
A team of journalists would envy, until today, no Brazilian newspaper.
Quote talent here, carries the risk of committing injustices.
They say that money was no problem.
Getulism, janguismo, Banco do Brazil behind.
High wages, either.
Hired to whom UH wished.
The most amazing was the making of the newspaper.
Morning and afternoon, followed materials and photos to the array, the Company Newspaper Publisher Paulista in Sao Paulo, where the material was diagrammed, composed and printed. At night, the duty shut the issue with the news, getting away from it, last minute.
A drama.
Via telephone, the connection from Curitiba to São Paulo could take hours and hours, which, to date, in a newspaper, means an eternity and suffering.
The newspaper came ready to São Paulo.
Dawn. It was not just Curitiba.
Had Londrina, Ponta Grossa and other strongholds, as
Paranaguá, where to strike at the port, the divide reached ten, twelve thousand copies.
A mark on the drawing (even today, in some cases).
The UH with its blue traces
- Wire section 8, paragraph 12 - epoch indeed.
If follies perpetrated and injustice committed, devastating lives and professions, you can not deny that school did.
Remember it in detail, guts, facets and historical episodes is difficult and it is up to those who worked there and built his career.
For us mere spectators of a part of the recent history of the press, it remains only to try a registry / tribute. And let's suggestion to the young in the profession: how about giving one arrive at the Documentation Section of the Public Library Paranaense and Paraná, as paleontologist at Spielberg, via DNA, fishing the past?
Even if that proves to be a monster, worthwhile, since a link has lessons massacred but never lost.

Francisco Camargo is a journalist.


Source: Stories of Paraná, Brasil.